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The projected images of the past must be kept alive, and not just at select international festivals but in every city. Repertory cinemas continue to close and even universities with film departments are converting operations to video. As the media conglomerates abandon chemical-mechanical technologies in favor of direct electronic distribution schemes and "virtual" realities, it will be up to the cineastes and collectors to keep real movie screens lit, and to introduce new audiences to the joys of the collective film experience. That is the real mission of the Secret Cinema. | The projected images of the past must be kept alive, and not just at select international festivals but in every city. Repertory cinemas continue to close and even universities with film departments are converting operations to video. As the media conglomerates abandon chemical-mechanical technologies in favor of direct electronic distribution schemes and "virtual" realities, it will be up to the cineastes and collectors to keep real movie screens lit, and to introduce new audiences to the joys of the collective film experience. That is the real mission of the Secret Cinema. | ||
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Revision as of 20:13, 13 March 2016
http://www.thesecretcinema.com/
The projected images of the past must be kept alive, and not just at select international festivals but in every city. Repertory cinemas continue to close and even universities with film departments are converting operations to video. As the media conglomerates abandon chemical-mechanical technologies in favor of direct electronic distribution schemes and "virtual" realities, it will be up to the cineastes and collectors to keep real movie screens lit, and to introduce new audiences to the joys of the collective film experience. That is the real mission of the Secret Cinema.